{"id":2464,"date":"2020-03-08T21:19:38","date_gmt":"2020-03-09T05:19:38","guid":{"rendered":"http:\/\/antoine.wojdyla.fr\/blog\/?p=2464"},"modified":"2020-04-01T22:26:43","modified_gmt":"2020-04-02T06:26:43","slug":"the-new-gaze","status":"publish","type":"post","link":"http:\/\/antoine.wojdyla.fr\/blog\/2020\/03\/08\/the-new-gaze\/","title":{"rendered":"The new gaze"},"content":{"rendered":"<p>Perceptions about women seems to have changed fast in the last few years. Of course I don&#8217;t mean perception of women in their essence, but <strong>the expression of their experience<\/strong>. This experience seems to surface, with movements such as #metoo, but also works of art which that replace the male gaze with the female gaze. On this topic, I really enjoyed this piece in the Guardian\u00a0 by Gwendolyn Smith :&#8221;<a href=\"https:\/\/www.theguardian.com\/culture\/2020\/feb\/22\/the-female-gaze-brings-a-welcome-touch-of-reality-to-art\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.theguardian.com\/culture\/2020\/feb\/22\/the-female-gaze-brings-a-welcome-touch-of-reality-to-art', 'Like a natural woman: how the female gaze is finally bringing real life to the screen']);\" >Like a natural woman: how the female gaze is finally bringing real life to the screen<\/a>&#8221; (the piece is about the movie by Celine Sciamma &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Portrait_of_a_Lady_on_Fire\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/en.wikipedia.org\/wiki\/Portrait_of_a_Lady_on_Fire', 'Portrait of a lady on fire']);\" >Portrait of a lady on fire<\/a>.&#8221;)<\/p><a href=\"http:\/\/antoine.wojdyla.fr\/blog\/wp-content\/uploads\/museum.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2475 aligncenter\" src=\"http:\/\/antoine.wojdyla.fr\/blog\/wp-content\/uploads\/museum.jpg\" alt=\"\" width=\"818\" height=\"554\" srcset=\"http:\/\/antoine.wojdyla.fr\/blog\/wp-content\/uploads\/museum.jpg 818w, http:\/\/antoine.wojdyla.fr\/blog\/wp-content\/uploads\/museum-300x203.jpg 300w, http:\/\/antoine.wojdyla.fr\/blog\/wp-content\/uploads\/museum-768x520.jpg 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a><\/p>It is worth noting that the main actress in Sciamma&#8217;s Movie, Adele Haenel, has an acute vision of the many things that go wrong in French society (&#8220;<a href=\"https:\/\/www.nytimes.com\/2020\/02\/24\/movies\/adele-haenel-france-metoo.html\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.nytimes.com\/2020\/02\/24\/movies\/adele-haenel-france-metoo.html', 'Ad\u00e8le Haenel: France \u2018Missed the Boat\u2019 on #MeToo']);\" >Ad\u00e8le Haenel: France \u2018Missed the Boat\u2019 on #MeToo<\/a>&#8220;, New-York Times), and <a href=\"https:\/\/www.nytimes.com\/2020\/02\/28\/movies\/roman-polanski-cesar-awards-france.html\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.nytimes.com\/2020\/02\/28\/movies\/roman-polanski-cesar-awards-france.html', 'left abruptly the French equivalent of the Oscars']);\" >left abruptly the French equivalent of the Oscars<\/a> when Roman Polanski, a movie director who has been accused many times of sexual assault (and inexplicably gets a pass from the French movie society \u2013 like Harvey Weinstein did for years.) The movie &#8220;Portrait of a lady on fire&#8221; reminded me in some ways Luca Guadagnino&#8217;s &#8220;Call me by your name,&#8221; where both movie describe a new way at looking at a lover, which is less predatory, less transactional than most man-women relationship as depicted in movies (or even same-sex transports when filmed by a male director, such as in &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=RW3P1weD4EM\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.youtube.com\/watch?v=RW3P1weD4EM', 'Blue is the warmest color']);\" >Blue is the warmest color<\/a>.&#8221;)<\/p>The female gaze also expands further, in TV series such as the celebrated &#8220;Fleabag,&#8221; or in music, with artists such as Angel Olsen, Sharon van Etten, Jenny Hval on Mitski. They bring a different view than the one that sprung up in the late 90s, with <a href=\"https:\/\/www.youtube.com\/watch?v=NPcyTyilmYY\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.youtube.com\/watch?v=NPcyTyilmYY', 'Alanis Morissette']);\" >Alanis Morissette<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=KL3AdtWzpIs\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.youtube.com\/watch?v=KL3AdtWzpIs', 'Fiona Apple']);\" >Fiona Apple<\/a>.<\/p>There&#8217;s still a long way to go, but the soft power is finally getting steam, thanks to the courage of some and the efforts of many.<\/p>(I also very much enjoy reading &#8220;<a href=\"https:\/\/www.theguardian.com\/commentisfree\/series\/the-week-in-patriarchy\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.theguardian.com\/commentisfree\/series\/the-week-in-patriarchy', 'This Week in Partriachy']);\" >This Week in Partriachy<\/a>&#8221; by Arwa Mahdawi and various pieces by <a href=\"https:\/\/www.newyorker.com\/contributors\/jia-tolentino\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.newyorker.com\/contributors\/jia-tolentino', 'Jia Tolentino']);\" >Jia Tolentino<\/a>, on Millenial feminism, which seems to bring intersectionality into the spotlight.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Perceptions about women seems to have changed fast in the last few years. Of course I don&#8217;t mean perception of women in their essence, but the expression of their experience. This experience seems to surface, with movements such as #metoo, but also works of art which that replace the male gaze with the female gaze. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,6],"tags":[],"class_list":["post-2464","post","type-post","status-publish","format-standard","hentry","category-english","category-mood"],"_links":{"self":[{"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/posts\/2464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/comments?post=2464"}],"version-history":[{"count":10,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/posts\/2464\/revisions"}],"predecessor-version":[{"id":2520,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/posts\/2464\/revisions\/2520"}],"wp:attachment":[{"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/media?parent=2464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/categories?post=2464"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/antoine.wojdyla.fr\/blog\/wp-json\/wp\/v2\/tags?post=2464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}