The world is burning with fear, and the best thing we can do is the burn the fear with arts – and that’s the central appeal of Burning Man.
Burning Man is a ten-day long arts festival in the desert, in Black Rock City, NV (a 4 hours drive from San Fransisco) and usually held at the end of August, where people come for the peculiar experience, littered with real life arts. This event is among the only in the world where people do art for the sake of art
, without galleries or commissioning needed, thanks to its sheer scale and captive audience (70,000 people over a week.) There are many groups of artists preparing arts year long, in the hope to touch the heart of others; some even get commissioned and get to build real big stuff. Some of them may be ephemeral, but their legacy lives on.
The influence of Burning man runs deep, especially in the Bay Area. For example, the lights blinking on the Bay Bridge (Bay lights) where partly an offshoot of a Burning Man project by Leo Villareal, whereas the “Day For Night” built on Jim Campbell’s experience. The latter recently had an exhibition at the Hosfelt gallery in San Francisco which was… illuminating.
The sculptor Marco Cochrane
is also famous for the Bliss series
, his large sculptures of iron mesh of dancing characters, found on Treasure Island and at festival in California.
A piece for No Spectator, at The Oakland Museum of California (2020) – HYBYCOZO, Trocto, 2014
There was recently a very tiny retrospective of Burning Man arts at the Oakland Museum of California, No Spectator: The Art of Burning Man. It didn’t render the scale of the event, but it allowed people to get a sense of what’s happening there, and tell the history of the event. Continue reading →